Shine designed, filmed, edited and animated the main title sequence for “Operation Finale” for MGM, Automatik + director Chris Weitz. As always, a stellar job by Michael Riley, Bob Swensen + the uber-talented team at Shine !
Fifteen years after the end of World War II, a team of top-secret Israeli agents travels to Argentina to track down Adolf Eichmann, the Nazi officer who masterminded the transportation logistics that brought millions of innocent Jews to their deaths in concentration camps. Hoping to sneak him out of the country to stand trial, agent Peter Malkin soon finds himself playing a deadly game of cat and mouse with the notorious war criminal.
In addition to the main title sequence above, Shine also designed, filmed, edited + animated the travel sequence below, a key scene in the film. The sequence portrays how the team from the Mossad traveled from Tel Aviv to Bueno Aires, undetected through various cities around the world.
Roy Skillicorn is back leading Backyard Productions, the company he founded and guided for 20+ years, recently partnering with Kevin Allodi, President & CEO of Philo Media, which acquired Backyard in 2017. Allodi reached out to Skillicorn knowing that he ran Backyard during its most successful years, and also realized success as founder of the award winning Seed Media Arts, a non-DGA production model company.
“Roy is internationally known for his innovative, focused marketing strategies and unprecedented trendsetting business models, and has had an uncanny ability to remain highly relevant throughout a long and prosperous career. His track record for nurturing the development and growth of directors’ careers is unsurpassed; as Managing Director overseeing sales & marketing I see him as the perfect ‘Sherpa’ to lead Backyard and its directors to new heights,” says Kevin.
Skillicorn founded Backyard with Chicago photographer Tony D’Orio in 1988 while still a rep for PIXAR, Colossal Pictures and HKM Productions — all start-ups he recognized as future superstar companies. He found, promoted and secured for each of them their very first commercials, representing each company for over a decade. He also brought London-based Passion Pictures into the limelight in the US.
Under Skillicorn’s leadership and marketing savvy, Backyard became a $50M+/yr entity that was not only considered one of the top international production companies by the trades, but the only one to ever spring forth from a secondary market like Chicago. After relocating production headquarters to L.A in the mid-90’s, Roy continued to lead sales and marketing from Chicago, keeping the brand’s uniqueness guarded while maintaining its notable Midwestern, honest and diligent work ethic. Loyal clients refer to Backyard as “a Shangri-La of production”, delivering a thoroughly enjoyable experience, infused with engaging and dependable people with caring attitudes, while offering innovation and craftsmanship at the highest levels.
“I’m happily surprised to find myself back in the ‘Yard’ and I’m excited to work along side several more A list directors and incredibly strong EPs, like my long time friend, Kris Mathur, and Emily Malito. When I shared my vision of next steps for Backyard, I told Kevin, this “new Backyard won’t be fenced…it’s time to unleash the dogs”. No doubt the iconic hand puppet dog logo that Roy’s graphic designer wife crafted back in 1989 will soon return to Backyard as well.
Chef Maya Erickson’s Black Sesame Dessert
We’re excited to welcome Jennifer Davick to the roster at SCHROM. Jennifer is a food director + photographer whose work explores the intersection of Tabletop and Lifestyle. She frequently shoots in NYC, CHI and LA, and her clients include Starbucks, Food Network, KIND Snacks, Hillshire Farm, Hellman’s and Publix Supermarkets among others.
“What attracted us to Jennifer’s work is the fact that it’s graphic, clean, contemporary and simply beautiful,” says Schrom founder Michael Schrom. “She has her finger on the pulse of how food is becoming more approachable. Jennifer’s work showcases food’s personality which makes her the perfect complement to our roster.”
Jennifer’s Philosophy on Her Work and Food:
“I believe food can be artful, inclusive and accessible at the same time,” says Jennifer. “My work makes the viewer feel something. It showcases lifestyle as an extension of food. It focuses on our emotional engagement with brands and how we make them part of our own story.”
Genius: Picasso main title sequence for Imagine, Fox21 and NatGeo
LA-based SHINE designed, filmed, edited and animated the main title sequence for Genius: Picasso, a biopic event series about Pablo Picasso. Shine developed a concept that employed original photographed and filmed paint textures that make up images of Picasso’s life, relationships and work.
Genius: Picasso stars Antonio Banderas in the titular role – as one of the 20th century’s most influential and celebrated artists, who interpreted the world in new and unorthodox ways, and reinvented our perception of creativity in the process. The second season of National Geographic’s 10-part, Emmy-nominated global event series, Genuis, explores how the Spanish-born artist’s passionate nature and relentless creative drive were inextricably linked to his personal life, which included tumultuous marriages, numerous affairs, and constantly shifting and personal alliances. Genius is executive produced by Ron Howard and Brian Grazer, and created by Ken Biller.
Pablo Picasso (October 25, 1881 to April 8, 1973) was a Spanish expatriate painter, sculptor, printmaker, ceramicist and stage designer considered one of the greatest and most influential artists of the 20th century and the co-creator, along with Georges Braque, of Cubism. Considered radical in his work, Picasso continues to garner reverence for his technical mastery, visionary creativity and profound empathy. Together, these qualities have distinguished the “disquieting” Spaniard with the “sombrepiercing” eyes as a revolutionary artist. For nearly 80 of his 91 years, Picasso devoted himself to an artistic production that he superstitiously believed would keep him alive, contributing significantly to — and paralleling the entire development of — modern art in the 20th century.
Pablo Picasso remains renowned for endlessly reinventing himself, switching between styles so radically different that his life’s work seems to be the product of five or six great artists rather than just one. Of his penchant for style diversity, Picasso insisted that his varied work was not indicative of radical shifts throughout his career, but, rather, of his dedication to objectively evaluating for each piece the form and technique best suited to achieve his desired effect. “Whenever I wanted to say something, I said it the way I believed I should,” he explained. “Different themes inevitably require different methods of expression. This does not imply either evolution or progress; it is a matter of following the idea one wants to express and the way in which one wants to express it.”
Art critics and historians typically break Pablo Picasso’s adult career into distinct periods, the first of which lasted from 1901 to 1904 and is called his “Blue Period,” after the color that dominated nearly all of his paintings over these years. At the turn of the 20th century, Picasso moved to Paris, France — the cultural center of European art — to open his own studio. Lonely and deeply depressed over the death of his close friend, Carlos Casagemas, he painted scenes of poverty, isolation and anguish, almost exclusively in shades of blue and green. Picasso’s most famous paintings from the Blue Period include “Blue Nude,” “La Vie” and “The Old Guitarist,” all three of which were completed in 1903.
Art critics and historians typically break Pablo Picasso’s adult career into distinct periods, the first of which lasted from 1901 to 1904 and is called his “Blue Period,” after the color that dominated nearly all of his paintings over these years. At the turn of the 20th century, Picasso moved to Paris, France — the cultural center of European art — to open his own studio. Lonely and deeply depressed over the death of his close friend, Carlos Casagemas, he painted scenes of poverty, isolation and anguish, almost exclusively in shades of blue and green. Picasso’s most famous paintings from the Blue Period include “Blue Nude,” “La Vie” and “The Old Guitarist,” all three of which were completed in 1903. In 1899, Picasso moved back to Barcelona and fell in with a crowd of artists and intellectuals who made their headquarters at a café called El Quatre Gats (“The Four Cats”). Inspired by the anarchists and radicals he met there, Picasso made his decisive break from the classical methods in which he had been trained, and began what would become a lifelong process of experimentation and innovation.